![\"\"](\"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-content\/uploads\/sites\/45\/2025\/11\/Picture-1-300x200.png\")
<\/a><\/p>\nWednesday 3 December, 2025<\/p>\n
Ukraine: Everyday Resilience<\/em> by Yan Dobronosov<\/strong><\/h2>\nThe Photo Exhibition \u201cUkraine: Everyday Resilience\u201d by Yan Dobronosov tells vivid stories of life in Ukraine since the full-scale invasion. Through his photographic lens, the exhibition acts as a form of cultural diplomacy \u2014 a quiet, poignant reminder of the ongoing war and the resilience of the people living through it.<\/p>\n
Queen Mary University of London, E1 4NS<\/p>\n
Book here<\/a><\/p>\n <\/p>\n
\n <\/p>\n
![\"\"](\"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-content\/uploads\/sites\/45\/2024\/09\/The-city-symphony-300x286.png\")
<\/a>Monday 28 April, 2025<\/p>\nSymphony of Sirens in Baku<\/i><\/h2>\n
‘Screening’ (or listening) of Arseny Avraamov\u2019s 1922 musical work incorporating the city of Baku as its orchestra. Plus, discussion of the place of the Asian city in the avant-garde vision of the city.<\/p>\n
Queen Mary University of London, E1 4NS<\/p>\n
Book here<\/a><\/p>\n <\/p>\n
<\/p>\n
<\/p>\n
\n![\"\"](\"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-content\/uploads\/sites\/45\/2024\/01\/MV5BMTUwNzI3NDEzMl5BMl5BanBnXkFtZTgwMTE3NTcwNjE@._V1_-225x300.jpg\")
<\/a><\/p>\n<\/h4>\n
<\/p>\n
Monday 29 January, 2024<\/h4>\nKatia Izmailova<\/em><\/strong><\/h2>\nValerii Todorovskii’s <\/strong>1994\u00a0film and launch of A <\/em>History of Russian Literature on Film <\/em><\/strong>by Professor David Gillespie, Dr Marina Korneeva<\/h4>\nQueen Mary University of London, E1 4NS<\/p>\n
Book here<\/a><\/p>\n <\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
\n\n <\/p>\n
![\"\"](\"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-content\/uploads\/sites\/45\/2023\/07\/Cinemaaustralia-200x300.jpg\")
<\/a><\/p>\n\n\n <\/p>\n
<\/h4>\n<\/h4>\nMonday 10 July, 2023<\/h4>\nRed Africa<\/h2>\n
Alexander Markov\u2019s documentary on the history of the influence exerted by the USSR over across Africa between 1960 -1990, working from extraordinary archival footage filmed by Soviet operators.<\/strong><\/p>\nBarbican Cinema<\/p>\n<\/div>\n<\/div>\n
Book here<\/a><\/p>\n<\/div>\n <\/p>\n
<\/p>\n
<\/p>\n
\n <\/p>\n
<\/p>\n
<\/h2>\n<\/h2>\n<\/h2>\n<\/h2>\n
\n
\n![\"\"](\"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-content\/uploads\/sites\/45\/2023\/07\/Famine-film-212x300.jpeg\")
<\/a><\/h2>\n<\/div>\n<\/h4>\n<\/h4>\nThursday 22 June, 2023<\/h4>\nFamine<\/h2>\nScreening and Panel Discussion<\/h3>\n\nFamine is a Russian film depicting the 1921-22 famine in Russia and Ukraine and international relief efforts. It has been banned in Russia.<\/strong><\/p>\nGenesis Cinema,\u00a093-95 Mile End Road London E1 4UJ<\/p>\n
Book here<\/a><\/p>\n<\/div>\n <\/p>\n
<\/p>\n
<\/p>\n
<\/p>\n
\n\n\n
\n<\/div>\n<\/div>\n<\/div>\n <\/p>\n
![\"\"](\"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-content\/uploads\/sites\/45\/2023\/07\/cropped-Logo-e1689683242419-300x47.jpg\")
<\/p>\n
Shape the Conversation<\/h2>\n
To form part of the conversation on Eurasia, participate in our programme of events, or find out how we can support your research, please contact the Centre Director Dr Andy Willimott (a.willimott@qmul.ac.uk<\/a>).<\/p>\n <\/p>\n
Pitch a new CEREES Group<\/a> \u00a0\/ \u00a0Pitch a new CEREES Screening<\/a> \u00a0\/ \u00a0Pitch a new CEREES Collaboration<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"CEREES screenings present films at QMUL and local cinemas. We showcase films from the region to prompt discussion of contemporary and historical issues. Wednesday 3 December, 2025 Ukraine: Everyday Resilience by Yan Dobronosov The Photo Exhibition \u201cUkraine: Everyday Resilience\u201d by Yan Dobronosov tells vivid stories of life in Ukraine since the full-scale invasion. Through […] Read More<\/a><\/p>\n","protected":false},"author":217,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-340","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/pages\/340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/users\/217"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/comments?post=340"}],"version-history":[{"count":51,"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/pages\/340\/revisions"}],"predecessor-version":[{"id":2273,"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/pages\/340\/revisions\/2273"}],"wp:attachment":[{"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/media?parent=340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/p>\n
\n
<\/p>\n
‘Screening’ (or listening) of Arseny Avraamov\u2019s 1922 musical work incorporating the city of Baku as its orchestra. Plus, discussion of the place of the Asian city in the avant-garde vision of the city.<\/p>\n Queen Mary University of London, E1 4NS<\/p>\n Book here<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Queen Mary University of London, E1 4NS<\/p>\n Book here<\/a><\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Alexander Markov\u2019s documentary on the history of the influence exerted by the USSR over across Africa between 1960 -1990, working from extraordinary archival footage filmed by Soviet operators.<\/strong><\/p>\n Barbican Cinema<\/p>\n<\/div>\n<\/div>\n Book here<\/a><\/p>\n<\/div>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Famine is a Russian film depicting the 1921-22 famine in Russia and Ukraine and international relief efforts. It has been banned in Russia.<\/strong><\/p>\n Genesis Cinema,\u00a093-95 Mile End Road London E1 4UJ<\/p>\n Book here<\/a><\/p>\n<\/div>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n To form part of the conversation on Eurasia, participate in our programme of events, or find out how we can support your research, please contact the Centre Director Dr Andy Willimott (a.willimott@qmul.ac.uk<\/a>).<\/p>\n <\/p>\n CEREES screenings present films at QMUL and local cinemas. We showcase films from the region to prompt discussion of contemporary and historical issues. Wednesday 3 December, 2025 Ukraine: Everyday Resilience by Yan Dobronosov The Photo Exhibition \u201cUkraine: Everyday Resilience\u201d by Yan Dobronosov tells vivid stories of life in Ukraine since the full-scale invasion. Through […] Read More<\/a><\/p>\n","protected":false},"author":217,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-340","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/pages\/340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/users\/217"}],"replies":[{"embeddable":true,"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/comments?post=340"}],"version-history":[{"count":51,"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/pages\/340\/revisions"}],"predecessor-version":[{"id":2273,"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/pages\/340\/revisions\/2273"}],"wp:attachment":[{"href":"https:\/\/projects.history.qmul.ac.uk\/cerees\/wp-json\/wp\/v2\/media?parent=340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}<\/a>Monday 28 April, 2025<\/p>\nSymphony of Sirens in Baku<\/i><\/h2>\n
\n<\/a><\/p>\n<\/h4>\n
Monday 29 January, 2024<\/h4>\n
Katia Izmailova<\/em><\/strong><\/h2>\n
Valerii Todorovskii’s <\/strong>1994\u00a0film and launch of A <\/em>History of Russian Literature on Film <\/em><\/strong>by Professor David Gillespie, Dr Marina Korneeva<\/h4>\n
\n<\/a><\/p>\n<\/h4>\n
<\/h4>\n
Monday 10 July, 2023<\/h4>\n
Red Africa<\/h2>\n
<\/h2>\n
<\/h2>\n
<\/h2>\n
<\/h2>\n
\n
\n<\/a><\/h2>\n<\/div>\n<\/h4>\n
<\/h4>\n
Thursday 22 June, 2023<\/h4>\n
Famine<\/h2>\n
Screening and Panel Discussion<\/h3>\n
\n<\/div>\n<\/div>\n<\/div>\n<\/p>\nShape the Conversation<\/h2>\n
Pitch a new CEREES Group<\/a> \u00a0\/ \u00a0Pitch a new CEREES Screening<\/a> \u00a0\/ \u00a0Pitch a new CEREES Collaboration<\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"